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Chapter 4 - The Iron Villa

"I am not going anywhere with you," Chloe said, backing toward the service door.

Sal materialized behind her like a wall of dark wool and cologne. He didn't grab her roughly; he simply placed one massive palm flat against the door frame, effectively blocking her escape. "Look, kid, you don't wanna be here when the first squad car rolls up. Detectives start asking why a busboy tried to put a nine-millimeter slug through Costello's ear, your face ends up in a case file. You like being in case files?"

"I work here!" Chloe's voice rose, cracking with exhaustion. "I get paid eight dollars an hour plus tips! I didn't shoot anybody!"

Gabriel didn't argue. He walked to his mother, offered his arm, and waited until Beatrice took it. Then he turned to Chloe. "My mother doesn't feel safe. She trusts you. You keep her calm until I figure out who ordered this hit, or I let Marco tell the precinct that you let that shooter through the kitchen door."

Chloe felt the blood drain from her face. "That's a lie."

"Truth is what I say it is in this district," Gabriel replied quietly. "Get in the car, Miss Bennett. You get paid double your weekly wage every day you stay in my house. Refuse, and you can explain to homicide why you were standing beside the hitman five minutes before he pulled the trigger."

Ten minutes later, Chloe was shoved into the back of a black Mercedes Maybach, flanked by Beatrice on one side and a silent, dark-tinted window on the other. Gabriel rode up front, a heavy encrypted tablet resting on his knees, his fingers clicking furiously as he barked low orders into an earpiece.

They drove north, leaving the neon haze of the city behind, crossing into the wooded sprawl of the Watchung Mountains. The estate was hidden behind eight-foot wrought-iron gates topped with razor wire and backed by dense security cameras that tracked the car's headlights as the heavy gates swung open.

The Costello estate wasn't a home; it was a fortress. Gray stone, bulletproof glass, perimeter floodlights that illuminated manicured lawns without a single blind spot.

When the car rolled to a stop beneath a cavernous portico, Beatrice reached across the leather seat and tapped Chloe’s knee.

Do not let him intimidate you, Beatrice signed, her movements slow, drained of the earlier fury. He barks because he is afraid. Since his father died three years ago, he thinks every shadow has a knife.

Chloe signed back, keeping her hands tucked low so Gabriel wouldn't see in the rearview mirror: He doesn't just bark. He threatens people's lives.

Beatrice gave a bitter, sorrowful half-smile. He learned it from the wolves he runs with. But he has never laid a hand on a woman, and he will not touch you under my roof. Stay close to me.

They were led inside by two housekeepers dressed in crisp, silent uniforms. The interior was massive, sterile, and cold—all polished Italian marble, minimalist furniture, and modern abstract paintings that looked more like bank vaults than art. There were no family photographs. No colorful throw blankets. It looked like an upscale funeral parlor.

"Third floor, east wing," Gabriel told the head housekeeper, an older woman named Elena. "Put the girl in the guest suite adjoining my mother’s bedroom. Sal will post outside the door."

"I need my phone," Chloe said, crossing her arms. "And my bag."

Gabriel reached into his pocket and tossed her cracked iPhone onto the marble center table. "Battery's dead. You charge it here. No calls outside this house until Sal clears your records."

"You have no right—"

"I have every right," Gabriel snapped, turning on her, his dark eyes bloodshot with stress. "A shooter walked into my private room. He knew which table I sat at. He knew the kitchen layout. That means someone on the inside sold the floor plan. Until I know whether that was Marco, the busboy, or the quiet waitress who suddenly decided to play hero with her hands, you don't leave my sight."

Beatrice stepped between them, her small frame rigid. She looked up at her son, her eyes burning, and raised her hands:

If she leaves, I leave. I will walk out the front gate in my nightgown and let the reporters see how the great Gabriel Costello treats his mother.

Gabriel clenched his teeth so hard a muscle in his cheek twitched violently. He looked at Chloe, then back at Beatrice. "Go upstairs, Ma. Please."

Beatrice grabbed Chloe’s sleeve and dragged her toward the wide spiral staircase.

The adjoining guest suite was larger than Chloe’s entire apartment. A king-sized bed with Egyptian cotton sheets, a bathroom with heated floors, and a balcony overlooking the black expanse of the surrounding woods.

Elena brought Chloe a pair of silk pajamas and a glass of warm milk, closing the heavy oak door with a quiet click.

Chloe sat on the edge of the enormous bed, staring at her hands. The cut on her right palm was throbbing.

She looked through the open connecting door into Beatrice’s room. The older woman had already shed her pearls and emerald sweater, sitting in a velvet armchair in a simple cotton nightdress. She was staring at a framed photograph on her nightstand.

Curious, Chloe walked softly into the room.

The photo showed a younger Beatrice, laughing beneath a canopy of wisteria, holding hands with a burly, smiling man with Gabriel’s sharp eyes. Standing between them was a teenage Gabriel, his arm around a small boy who couldn't have been more than six years old.

Chloe paused. "A brother?" she whispered aloud.

Beatrice looked up, noticing Chloe’s gaze. She lifted her hands, her expression crumbling into a profound, haunting grief:

Matteo. My youngest.

Chloe signed: Where is he?

May you like

Beatrice’s hands trembled as she spelled out the answer, one agonizing letter at a time:

Dead. Six years ago. And Gabriel thinks it was his fault.

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