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Chapter 5 - The Warning Hidden in a Photograph

Ruby did not call Santiago.

She called the one person she believed could help her distinguish a real threat from a calculated attempt to draw her back into the Moretti estate.

Detective Elena Ward.

Three years earlier, Elena had been the youngest investigator assigned to the playground shooting.

She was also the only officer who had visited Ruby after the investigation officially closed.

They met inside a small diner on South Halsted Street.

Elena arrived wearing a dark jacket and carrying a folder that looked older than it was.

She sat across from Ruby and studied the threatening messages.

"Have you shown these to anyone else?"

"Dr. Chen."

"Anyone connected to Moretti?"

"No."

Elena enlarged the photograph of Sophia.

The image showed a narrow strip of blue curtain behind the bed.

A silver picture frame.

And part of an antique clock.

"Is this a recent picture?"

"I think so."

"How can you tell?"

"Because I moved that frame."

Elena looked up.

Ruby pointed to the corner of the photograph.

"I moved it three days before Santiago fired me."

"Then whoever sent this had access to her bedroom."

"Yes."

Elena leaned back.

"Ruby, there is something about the original investigation I never told you."

Ruby felt her pulse accelerate.

"What?"

"Two witness statements disappeared before the case reached the state's attorney."

"Disappeared?"

"The witnesses reported a man directing traffic near the playground immediately before the shooting."

"Julian Vale?"

"One thought so."

Ruby gripped the edge of the table.

"Why wasn't he questioned?"

"He was."

"And?"

"His attorney provided a complete alibi."

Elena paused.

"The officer who verified it was Lieutenant Patrick Keene."

Ruby recognized the name.

Keene had supervised the investigation.

He had also been the man who told her the case was closed.

"Where is he now?"

"Deputy superintendent."

Ruby gave a humorless laugh.

"Of course he is."

Elena leaned forward.

"I'm not asking you to trust Santiago Moretti."

"I don't."

"But if someone is threatening Sophia, we need to get her somewhere safe."

Ruby looked at the photograph again.

"She's terrified of leaving the estate."

"Then we need to know why."

Ruby hesitated.

She remembered an afternoon in Sophia's bedroom two weeks earlier.

They had been practicing signs for ordinary things.

Books.

Colors.

Food.

Feelings.

Ruby had signed safe.

Sophia had stared at the word for a long time.

Then she signed outside.

Ruby had asked whether Sophia wanted to go outside.

She shook her head.

Outside dangerous.

Ruby initially assumed she meant the garden.

But Sophia had repeated the gesture while pointing toward the front entrance.

Now the memory returned with new meaning.

"Someone taught her that leaving the house is dangerous," Ruby said.

Elena nodded.

"Which would explain why she never asked to leave."

Ruby looked up.

"No."

"What?"

"She did ask."

Ruby remembered Sophia touching the window and moving her fingers.

At the time, Ruby had misunderstood the gesture.

She thought Sophia was describing birds.

Now she realized Sophia had been naming a place.

A greenhouse.

A particular one.

"There's an old greenhouse behind the estate," Ruby said.

"Is it used?"

"Not anymore."

"Why?"

"Because it burned the year after the home invasion."

Elena's expression sharpened.

"Burned?"

"Part of it."

Ruby tried to remember the exact conversation.

Julian had once mentioned that the greenhouse was unsafe.

He said the roof had collapsed.

No one was permitted inside.

But Sophia had continued drawing it.

Always the same structure.

Always with green glass.

And always with a black square beneath the floor.

Ruby reached into her bag and pulled out a small notebook.

Inside were drawings Sophia had given her over several weeks.

Elena examined them.

At first glance, they looked like ordinary sketches.

Then she noticed the repetition.

Every drawing contained the same square.

Sometimes beneath a flowerpot.

Sometimes below a staircase.

Sometimes beside a figure in a gray suit.

Elena pointed.

"What is this?"

"I don't know."

Ruby touched the page.

"But Sophia does."

Her phone rang.

Santiago Moretti.

Ruby looked at Elena.

"Answer it," Elena said.

Ruby put the call on speaker.

Santiago spoke immediately.

"Ruby, I need you to listen carefully."

"How did you get this number?"

"Your former employer had it."

"That doesn't give you permission to—"

"Julian Vale threatened my sister."

Ruby fell silent.

Santiago continued.

"I found a camera in Sophia's bedroom. I have a recording."

Ruby looked at Elena.

"What did he say?"

Santiago repeated the threat.

Elena wrote it down.

Ruby closed her eyes.

"Is Sophia safe?"

"She's with Tomas."

Ruby's expression changed.

"That's not enough."

"Why?"

"Because whoever is doing this knows your security system."

Santiago took a breath.

"Then tell me what you need."

Ruby looked at Elena again.

For the first time, she heard something in Santiago's voice she had not heard at the mansion.

Fear without anger.

She made her decision.

"I'll come back to see Sophia."

Santiago exhaled.

"Thank you."

"But listen to me."

"I'm listening."

"I am not coming back as your maid."

"Understood."

"I won't be working for you."

"Understood."

"And if I decide Sophia is in immediate danger, I will involve independent authorities whether you like it or not."

There was a pause.

Then Santiago answered.

"Do what you have to do."

Ruby almost hung up.

But something compelled her to ask one final question.

"Santiago, who told you Vincent Rojas ordered the shooting that killed my family?"

Silence.

Then he answered.

"Julian Vale."

Ruby looked at Elena.

The detective had stopped writing.

"And who told you Rojas was responsible for your parents' murder?"

Another silence.

When Santiago finally spoke, his voice sounded different.

"Julian."

Ruby felt a chill.

Two tragedies.

Seven years apart.

May you like

One trusted adviser.

And suddenly, the convenient explanations surrounding both incidents began to look like parts of the same carefully constructed lie.

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